Άσε που πολλοί πέσαμε πάνω στον όρο anime ψάχνοντας για σειρές που βλέπαμε μικροί.
Αναζήτηση λόγω νοσταλγίας δηλαδή και όχι για κάτι "καινούργιο".
σε αυτο φαινεται να συμφωνουν και καποιοι Ιαπωνες (διαβασε παρακατω)
Όταν θα τελειώσ με το πανεπιστήμιο κ θα πάω να ζήσω ιαπωνία θα δούμε ποιός θα είναι δυστυχισμένος τότε *sigh*
αλλοι ομως αφηνουν την ιαπωνια και ερχονται στην Ευρωπη
http://www.filmschool.cz/en/show.php?kat=9Jun Nito from Shizuoka, Japan
2nd-year student in AnimationI came to Film School Zlin because I wanted to follow my dream.
That dream was to study puppet animation, a technique not widely utilized in his native country. And so, after completing a Bachelor's Degree in Marketing at Hukui University in Japan, Jun decided to move to Czech Republic so that he could learn this animation technique from the people who know it best. The Czechs have long been considered world leaders of this particular animation method that combines stop-motion cinematography with the manipulation of custom-made, three-dimensional puppets.The animation studios in Zlιn maintain a unique position in the history of Czech animation. The first Czech puppet film
Ferda the Ant was made here in 1944 by Hermιna Tyrlova. Later, Tyrlova collaborated with another famous Czech animator, Karel Zeman, to create
Vánocní sen (The Christmas Dream) at the Zlin Studios. This film, which uses a combination of real actors and animated puppets, won Best Animated Film at Cannes in 1946. It was the remarkable work of Tyrlova and Zeman that inspired Jun to moves thousands of miles from his native Japan to study at Film School Zlin. Studying here gives him the opportunity to make his own animated films in the same studios where these esteemed Czech animators once worked.
Jun was also inspired by another Czech animator Bretislav Pojar. Pojar's well-known series
Pojďte pane, budeme si hrát (Come Sir, let's play) is considered to be the most successful Czech puppet series ever made. This playful story about two bear brothers, was created using an animation technique called 'puppet relief' or 'poloplast'. This method, which is a variation of traditional puppet animation, uses two-dimensional puppets and is shot from a vertical, rather than horizontal perspective.
At the end of his first year at Film School Zlin, Jun completed his own animation project
'Friends' employing this 'poloplast' animation technique. His two-minute film features a rabbit, elephant and monkey who encounter some helpful giraffes while playing football in the jungle. Last year he assisted another Japanese student, Naoko, on her Absolvenska (Graduation) film
'Tokyo Brothers'. ?During three months I made many of the backgrounds for this puppet film ' sky, fields and mountains ' and did a little bit of the animation.
Jun has really enjoyed his time in the Czech Republic. Zlin is a peaceful place and nature is all around. The beer is not bad either. The Czech people really know how to enjoy life.
What's his next dream? To start his own studio of puppet animation.